Mood board: In the red

In this picture: Maison Martin Margiela, Nouk B. from Lookbook, Ferrari, Flickr, The Sartorialist, Valentino Garavani, and Doc Martens

Of camels and editorials

From Details. CAMEL COATED: Photographs by Thomas Schenk

Suit and shirt by CALVIN KLEIN COLLECTION. Tie by MISSONI. Shoes by CHURCH'S.

Camel hair clothing or camel-colored apparel comprise two editorials, respectively, from the August 2008 issue of Details and the Fall/Winter release of Fantastic Man. Notice the difference not only in the styling and photography, but also in the language of the text.



Jacket by TOMMY HILFIGER. Scarf by APC.



Clothing by POLO RALPH LAUREN. Belt by YVES SAINT LAUREN.



Clothing by BOSS SELECTION. Shoes by CHURCH'S.



MISSONI.



ISAAC MIZRAHI.



GIORGIO ARMANI.



Clothing by VALENTINO. Shoes by CHURCH'S.

Styling by Paul Stura, hair by Johnnie Sapong using Aveda Men, makeup by Charlotte Day for See Management.



From Fantastic Man. CAMEL GALORE: The multi-layered allure of a neck-to-toe camel outfit, edited by Jodie Barnes and photographed by Paul Wetherell.

Who knew there were this many shades of camel? There is so much green in the TOM FORD cashmere camel double-breasted coat to almost slip it off the camel chart. Here, it's worn on top of a brown-ish GIORGIO ARMANI herringbone suit jacket, a more oatmeal POLO RALPH LAUREN camel cashmere poloneck and a reddish camel silk scarf by LANVIN, which is tied here as a cravat. Meanwhile the gold in these POLO RALPH LAUREN camel trousers really shines through.



Wow, look at the orange of those JUNYA WATANABE camel cords! They are part of a look that is more modern man than (its) neighbor (on top). The CALVIN KLEIN COLLECTION wool coat is treated with plastic and has a narrower lapel, while the classic camel suit-jacket by LANVIN is of a short length. Underneath, the caramel coloured poloneck is by BOSS BLACK, while the gold CARTIER watch is as close to camel as you can get in a timepiece.


Details only succeeds in one outfit: the one with Polo Ralph Lauren denim. In an effort to tone down the camel hair, the other combinations have only become slack and boring. Fantastic Man conquers the fabric with panache.

This is also what I mean when I said that Fantastic Man is more personal. Though the approach is conceptual - hence the color scheme - it welcomes the reader, while the images from Details appear more like shopfront installations that have the potential to assault passersby.

The absence of the model's personality allows room for the reader to project himself into the clothes, and the accompanying text offers usable information, and yes, even insight.

Wow indeed.

valentino s/s 2011 couture

 pier paolo piccioli and maria grazia chiuri

backstage:

Valentino Spring/Summer 2011

Valentino Spring/Summer 2011 Campaign

Models: Freja Beha, Julia Saner and Caroline Brasch-Nielsen

Photographer: David Sims

Fashion trends s/s 2011 - Crochet, macrame and lace

 Alberta Ferretti S/S 2011

 Aleksander McQueen S/S 2011

 Chanel S/S 2011

 Christian Dior S/S 2011

 Christian Dior S/S 2011

 Dolce & Gabbana S/S 2011

 Dolce & Gabbana S/S 2011

 Dolce & Gabbana S/S 2011

 Emilio Pucci S/S 2011

 Emilio Pucci S/S 2011

 Emilio Pucci S/S 2011

 Gucci S/S 2011

 Herve Leger S/S 2011

 Herve Leger S/S 2011

 Isabel Marant S/S 2011

Jaeger London S/S 2011

 Just Cavalli S/S 2011

 Marchesa S/S 2011

 Oscar de la Renta S/S 2011

 Oscar de la Renta S/S 2011

 Ralph Lauren S/S 2011

 Valentino S/S 2011

Valentino S/S 2011

 Vogue UK, January 2011

Model: Freja Beha

Photographer: Patrick Demarchelier

From those in whites to those in darks - crochet, macrame and lace - one of those tredns which makes the s/s 2011 season different from the others. Sometimes look like crocheted doilies from our grandma table (Dolce & Gabbana) or african clothes (Christian Dior, Gucci). But still luxury, in good quality. Sometimes polite (Alberta Ferretti, Oscar de la Renta) or extremely sexy (Emilio Pucci, Valentino). 
So choose your type and go for it!
Love, 
Joanna